El monumento de La Mojarra tiene quizá su mayor importancia en cuanto al desarrollo y extensión de la escritura mesoamericana y las prácticas calendáricas. La pieza arqueológica presenta más de 500 glifos distribuidos a lo largo de 21 columnas verticales, las cuales pueden dividirse en dos grupos principales. La Estela 1 de La Mojarra relata acontecimientos astronómicos vinculados al ejercicio del poder de un gobernante inscrito en la Estela. Tiene un sistema de escritura que dejó de emplearse allá por el siglo VI de nuestra era, en una tradición cultural que comprendía Cerro de las Mesas, La Mixtequilla, Los Tuxtlas y Chiapa de Corzo.
En el año de 1986 se rescató del lecho del río Acula la Estela 1 de La Mojarra, una portentosa pieza arqueológica la cual viene a ocupar un lugar privilegiado en la historia prehispánica.
En un principio, la aparición de la Estela vino a cambiar la visión tradicional de las culturas prehispánicas de México, por lo que algunas personas dudaron de su autenticidad. Sin embargo, el avance en su estudio ayudó a despejar las dudas.
A principios de 1995 Richard Diehl y Sergio Vásquez Zárate iniciaron las excavaciones en el lugar, levantándose la magnetometría del área por Luis Barba, de la U.N.A.M. Se descubrieron dos grandes hornos para cerámica, con materiales asociados al Postclásico; pero Diehl y Vásquez hallaron materiales cerámicos contemporáneos a las fechas que presenta la Estela 1 de La Mojarra, lo que amarra temporalmente al monumento.
Información reciente del sitio nos habla de que la Estela estuvo erigida hasta que se desplomó sobre el río Acula por el año de 1947, de tal manera que estaba presente en la memoria de la comunidad, a la cual le denominaba “El Indio”.
Este trabajo recoge y clasifica el listado de publicaciones y reuniones acerca de la Estela 1 de La Mojarra, desde su aparición en el año de 1986 y de los autores que se han encargado de estudiar esta portentosa pieza arqueológica la cual viene a ocupar un lugar privilegiado en la historia mesoamericana.
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Hasta hoy, 24 de noviembre de 1995 (en Cuenta Larga es 12.19.2.12.1, 5 Imix 9 Ceh), han transcurrido 671,714 días desde la fecha inscrita más reciente del monumento, la Arqueología y Epigrafía mesoamericanas están de fiesta y no es para menos, ya que el erguimiento en el Patio Pergolado 2 del Museo de Antropología de Xalapa de la Estela 1 de La Mojarra es un acontecimiento significativo. Ello permitirá al fin, después de 9 años, que la estela sea del conocimiento público, gracias a la iniciativa de Sara Ladrón de Guevara González, Directora de este prestigiado Museo.
La presencia de George E. Stuart, Richard Diehl, Sergio Vásquez Zárate y de los estudiantes María Eugenia Maldonado Vite, Adelina Suzan Morales, María Antonia Aguilar Pérez y Alfredo Vargas González, éstos últimos ayudantes de campo en el sitio arqueológico, es estimulante para todos nosotros.
Desde el primer reporte publicado en junio de 1988(1) a la fecha se han escrito, y/o publicado, o bien presentado en ponencias, 93 trabajos sobre la Estela 1 de La Mojarra.
Hay que recordar la importancia y el lugar que guarda la Estela 1 de La Mojarra en el contexto de la epigrafía mesoamericana.
Sus características más relevantes son:
1) Presenta la quinta fecha más antigua descubierta en toda América.
2) La pieza contiene los 3 sistemas calendáricos utilizados, a saber:
a) La Cuenta Larga,
b) El sistema religioso o Tzolkin, y
c) El sistema civil o Ha’ab.
3) Posee el mayor número de inscripciones, descubierta hasta el momento en el continente americano.
4) Contiene algunas asociaciones de glifos que están en la Estatuilla de Tuxtla, figurilla contemporánea a ella 6 años más tardía (162 d.C.).
5) Posee 20 glifos que utilizaron posteriormente los mayas.
6) Esta civilización empleó y probablemente inventó el calendario, el sistema de numeración y la escritura, antes que los mayas.
7) Fue la primera sociedad en registrar detalladamente eclipses solares y lunares.
8) La zona de influencia de la civilización de La Mojarra penetró a Cerro de las Mesas, Los Tuxtlas y Chiapa de Corzo, manifestándose en diversos objetos culturales elaborados en piedra y terracota.
En abril de 1988 se realizó una inspección ocular del sitio en que se localizó, descubriendo el centro ceremonial el que escribe, George E. Stuart, Eugenio Logan Wagner y el Dr. John M. Keshishian, demostrándose fehacientemente la asociación entre la pieza y la zona arqueológica.
Los trabajos acerca de los cuales el autor tiene conocimiento, los agrupó alfabéticamente en 6 grupos, de acuerdo a los siguientes temas:
I) Arqueoastronomía.
II) Artículos periodísticos.
III) Catálogo de signos.
IV) Citas.
V) Comparaciones estilísticas, y,
VI) Interpretación de glifos.
Además se agrupan aspectos como Conferencias, y, Congresos.
I) Arqueoastronomía. Se han publicado 10 trabajos, de los cuales 7 corresponden a Hall y 2 a Winfield y Prestinary.
II) Artículos periodísticos: 11. 2 de ellos debidos a la autoría de Isaac Levy de la agencia de noticias The Associated Press, tuvieron una gran difusión, pues se enviaron a más de 25,000 periódicos en todo el mundo.
III) Catálogo de signos. 10 trabajos publicados entre los que destacan los nombres de Lloyd B. Anderson (3 libros) y de Martha Macri (1 libro).
IV) Citas. La Estela 1 de La Mojarra ha sido citada en varias ocasiones; a la fecha se han consignado 28 citas que han aparecido en libros científicos. A ellas hay que agregar todos los trabajos que se han ocupado de La Mojarra y que citan otras investigaciones.
V) Comparaciones estilísticas. 10 trabajos.
VI) Interpretación de glifos. El mayor número de trabajos (27) se han producido en este asunto. Desde la aparición del primer reporte en 1988, la mayoría de los esfuerzos se han dirigido a descodificar la Estela.
La pieza arqueológica presenta más de 500 glifos distribuidos a lo largo de 21 columnas verticales, las cuales pueden dividirse en dos grupos principales. El primer grupo, consistente en las columnas A-L, aparece como las 12 columnas relativamente cortas por encima del tocado de la figura.
El segundo grupo, columnas M-U, ocupa la totalidad de la mitad derecha del monumento.
La Estela 1 de La Mojarra relata acontecimientos astronómicos vinculados al ejercicio del poder de un gobernante inscrito en la Estela.
Las dos fechas de Cuenta Larga corresponden al 21 de mayo del año 143 de nuestra era y al 13 de julio del año de 156, también de nuestra era. Otros monumentos de mayor antigüedad están en Chiapa de Corzo, Tres Zapotes, El Baúl, Guatemala y Abaj Takalik, Guatemala.
Tiene un sistema de escritura que dejó de emplearse allá por el siglo VI de nuestra era, en una tradición cultural que comprendía Cerro de las Mesas, La Mixtequilla, Los Tuxtlas y Chiapa de Corzo. Sergio Vásquez ha descubierto la presencia de este tipo de escritura en el Edificio “J” de Monte Albán, que fue empleado como observatorio astronómico.
Además, se han localizado más de 300 piezas en Mesoamérica que tienen relación con los elementos de representación de La Mojarra.
Su nombre lo debe a la congregación del mismo nombre, en el municipio de Alvarado, aunque de la otra banda del río también hay montículos arqueológicos del municipio de Acula. La Mojarra se encuentra aproximadamente a la mitad de la distancia entre las conocidas zonas arqueológicas de Cerro de las Mesas y de Tres Zapotes.
El monumento es de piedra y pesa alrededor de cuatro toneladas. Es un bloque más o menos trapezoidal de grosor irregular. Mide 2.34 m de alto en su lado izquierdo y 2.10 en el derecho. Tiene 1.10 m de ancho en la parte inferior, y 1.42 m en la superior. El grosor varía ampliamente, yendo desde 54 centímetros a 15 centímetros de izquierda a derecha en la parte superior, y de 45 centímetros cerca de la base.
El monumento de La Mojarra tiene quizá su mayor importancia en cuanto al desarrollo y extensión de la escritura mesoamericana y las prácticas calendáricas. Su descubrimiento fortuito aumenta los ejemplos existentes de esta escritura, de mitad del siglo dos, casi en siete veces. Por otra parte el tamaño extraordinario de este texto proporciona una base de datos sin precedentes para el análisis de la escritura y patrón de esta escritura. Se espera que la aplicación de análisis lingüísticos al problema resulte provechosa para ayudar a reconstruir tanto la cultura como las dinámicas culturales de un capítulo importante del pasado arqueológico de México.
EL PERSONAJE PRINCIPAL
Descripción
Como puede verse en el dibujo adjunto, la cara tallada y grabada de la Estela 1 de La Mojarra tiene su espacio más o menos igualmente dividido entre la representación de la figura erecta y el texto jeroglífico acompañante. El monumento fue claramente diseñado para ser colocado en posición vertical, ya que su parte mas baja, alrededor de una séptima parte de la altura vertical, se dejó lisa.
La parte trabajada de la Estela comienza con una ancha banda horizontal centrada por un arreglo simétrico de cuatro círculos grandes y elevados, flanqueados por bandas exteriores verticales, con líneas, y rodeadas por cuatro ”lengüetas” rectangulares. La parte superior de esta banda sirve como línea de base para la figura y también como parte inferior al campo ocupado por la principal parte del texto jeroglífico. La figura, en bajo relieve, es la de un dignatario elaboradamente vestido que mira a la derecha (del observador). Un círculo elevado aparece justo al lado de la ligeramente dañada nariz de la figura, y un símbolo encerrado en un elaborado cartucho curvado y con abalorios, ocupa la zona inmediata frente a la cara del individuo. El simbolismo incluye a una casilla enmedio de cada lado, rodeada de una columna semicircular de humo; enmedio la estilización de un cráneo o una casa; posiblemente representa al sol.
La postura de la figura está ligeramente girada y con la mano izquierda (a la derecha del observador) extendida, sujetando un cartucho similar pero particularmente borrado, también bordeado por círculos. La mano derecha y el objeto curvo que sujeta se encuentran dañados pero por el círculo frente a la boca del personaje, es posible notar que contiene los mismos elementos gráficos de aquél.
La figura aparece representada en un fragmento de cerámica, probablemente originaria de la zona de Río Azul, Guatemala, al noreste de El Petén, en el museo de Albuquerque (Hellmuth, 1987: 78, fig. 107).
Los círculos representan a la vida, a la esencia de los seres.
Desgraciadamente, casi la totalidad del tercio inferior de esta figura, incluyendo la parte baja del vestido, las piernas y los pies, está o bien perdida o tan dañada que no puede reconstruírse.
Cuatro glifos aislados, aparentemente idénticos, aparecen en los antebrazos y sobre el componente inferior del vestido (¿o pierna?) marcados como V-Y.
Sobre su cabeza tiene un casco con atributos de una deidad acuática que se conoce con el nombre de Chaac. Es un animal con una larga nariz en forma de cola o gancho que Nicholas Hellmuth interpreta como la cola del mono macaco pero que bien pudiera ser el pico de una guacamaya, ave quetzal, un tapir o un lagarto.
En la parte superior del párpado descansa una triple figura triangular con ángulos suavemente redondeados, contenida en una especie de U cuyos extremos se curvan. Adelante de ella está una nariz de la cual sale un círculo que desarrolla dos espigas que terminan en otro círculo.
Arriba y a la derecha de este elemento, justo sobre la nariz de la entidad, se puede apreciar un mascarón de mayor tamaño que los anteriores sujetado por un apéndice de cuatro líneas semicurvas y que representa una cabeza humana de la que sobresale una lengua caída que sobrepasa el mentón, enroscada su punta frente al labio inferior. La parte del labio superior está exageradamente grueso y colgando hacia abajo con el mismo tratamiento que el persona anciano de F 5. Frente de la nariz hay un círculo desde el cual se proyectan dos espigas que terminan en otro círculo y que representan a la respiración por medio de dos columnas de aire. Son abundantes este tipo de representaciones en la ulterior iconografía maya. Tiene un barboquejo o bien la representación descarnada de la propia mandíbula con su articulación superior.
El mismo elemento barboquejo está idénticamente tratado en el esgrafiado del hueso 1 de la tumba 1 de Chiapa de Corzo (Agrinier, 1960: 6, 8) y en el esgrafiado del hueso 3 del mismo sitio (op, cit.: 15, 16).
Sobre su parte media están un triángulo y dos círculos colocados simétricamente junto a la punta, mismo glifo que aparece en A 2, P 10 y Q 10. Los ojos están entrecerrados. La frente tiene el glifo que aparece en F 3. La parte superior tiene la boca de un Cipactli vista de frente, o monstruo de la tierra en posición de 135°. La posición eminente que guarda este mascarón, aunado a los glifos V-Y en antebrazos y piernas nos indica claramente que se trata del nombre del personaje principal, llamado CIPACTLI o LAGARTO.
La misma entidad aparece 4 veces más en: parte superior del casco, yelmo o tocado; sien izquierda; frente del personaje y en un pectoral. Puede referirse esta representación a los Chaac que aparecen en cada punto cardinal. El Chaac del pectoral en el personaje tiene un pendiente compuesto de tres piezas de concha marina.
El tocado de la figura está dominado por una enorme cabeza de perfil con un largo pico u hocico curvado (fig. 1). Pegados a ella, y a la especie de casco que forma la base de la gran cabeza, se encuentran cuatro cabezas más pequeñas (fig. 1 a-d), también de perfil mirando hacia la derecha. Dos de ellas coronan a la cabeza grande y dos están debajo de ella, aparentemente en una banda envolvente (fig. 1 e).
Elevándose desde la cabeza de perfil superior izquierda (o posterior) hay un elemento anudado, el cual, a su vez, está coronado por un objeto vertical, puntiagudo y serrado, quizás un cuchillo (fig. 1 f). Originándose del mismo elemento anudado, una cuerda (1 g) se curva hacia la izquierda y hacia abajo, terminando en otro nudo y en un colgante grande rectilíneo (8 h). Pegados a la cuerda y al elemento suspendido, se encuentran pares de adornos en forma de círculo, espaciados más o menos regularmente.
El interior (o lado derecho) de la cuerda, parece tener algún tipo de tela (?) unido a él, aunque está un poco dañada; la observación cuidadosa de este bajo relieve nos indica que se trata de la representación de una corriente de agua y que el colgante rectilíneo dividido en dos partes desiguales con símbolos del jade puede referirse al mar, el cual en tiempos antiguos era considerado precioso por su color verde azul. La base para estela de Matacanela, Catemaco, reportada por Blom y La Farge (1986: 49), tiene el mismo símbolo de una placa rectangular con tres círculos en dos lados.
La parte exterior de la cuerda se encuentra paralela a una hilera de cuatro peces (tres de ellos completamente visibles), que miran hacia arriba como si estuvieran nadando por la cuerda (1 i). Completan el tocado dos bandas anudadas que descienden desde los adornos de las orejas del gran perfil con pico, y un macizo de elementos similares que salen hacia atrás, los cuales representan plumas (fig. 1 j).
El cuerpo del personaje está representado frontalmente. Puede apreciarse una hermosa hombrera o peto en cuya parte superior y cubriendo la porción donde termina el corazón, está elaborada a base de plumas de quetzal o de águila, de la cual descienden tres placas compuestas por dos secciones. La superior es una placa con una letra U a 180° y que representa a la tierra; la inferior es la representación frontal de los colmillos de la serpiente; simboliza señorío y lo sagrado por antonomasia.
Inmediatamente arriba y abajo de la segunda placa (mirándola de izquierda a derecha) aparecen dos burbujas en posición vertical y luego el cuerpo sinuoso de una serpiente; similar tratamiento ondulante reciben las mejillas de el Monumento 4 de Cerro de las Mesas. Desde su nacimiento a partir de las hombreras, desciende un cordón a cada extremo, representándose así la manera prehispánica de sujeción del adorno, cuyos ejemplos más antiguos se observan en el nudo posterior de las cabezas colosales 1 y 7 o Monumento 53 de San Lorenzo.
Los hombros de la figura están cubiertos por un ropaje (fig. 1 k) marcado con elementos a modo de escamas, quizás plumas, que se extienden horizontalmente hacia afuera desde el centro que se encuentra oculto por el pelo (?) del individuo; y un gran elemento anudado del cual pende (fuera del centro) un pectoral con una cabeza de perfil (1 l). Atados bajo el pectoral se encuentran tres colgantes rectangulares en forma de placas (fig. 1 m).
Desde la envoltura de los hombros bajan dos grupos, o niveles de elementos del vestido, separados y superpuestos. Cada uno de ellos tiene una zona llena de estrías paralelas verticales (fig. 1 n), sobre la cual cuelgan cuatro bandas anchas, simétricamente espaciadas, talladas con bordes lineales, y centradas por líneas paralelas onduladas (1 o). Todo ello termina en placas cuadradas con motivos prácticamente idénticos centrados por elementos con formas de U invertidas (1 p).
Aunque la parte inferior derecha de este elemento está muy dañada, todo ello parece haber sido una realización simétrica de la porción intacta.
La parte superior de los brazos y hombros de la figura están ocultos por la parte superior de este manto, pero los antebrazos (con los glifos V y W) aparecen como exteriores a la parte inferior. Dos anchos elementos (8 q) están unidos a la parte trasera de la figura.
Los brazos de la figura están marcados con brazaletes (fig. 1 r) sencillamente representados por dos bandas anchas. Un grupo de líneas débilmente grabadas (8 s) formando un arco paralelo y bandas, aparece entre el hombro anterior de la figura y la zona encima del brazalete, aparentando como si pasara ”por detrás” de este último.
La parte inferior del vestido, bajo el doble manto arriba mencionado, es irreconstruíble. Una parte de una envoltura o taparrabos (fig. 1 t), con las marcas X y Y, aparece parcialmente intacta justo a la izquierda (desde el punto de vista del observador) de un delgado cordoncillo vertical levantado, que parece originarse en la línea que define la porción destruída del ropaje, y justo debajo del pectoral.
A su izquierda, y posiblemente a su derecha, aparecen áreas que muestran porciones de una reja de bandas estrechas con formas de diamante (8 u). Pequeños nudos se ven en tres puntos de la reja a la izquierda (fig. 1 v).
El objeto sujetado por la mano derecha de la figura ha desaparecido casi completamente, a excepción de una pequeña parte del mango (fig. 1 w). Tal mango es idéntico al que presenta un personaje de la Estela 10 de Kaminaljuyú (Parsons, 1986, fig. 175). El elemento anudado en la parte inferior izquierda de la zona esculpida del monumento (ver figuras y ) puede haber sido parte de este objeto.
Finalmente, debe notarse, que la mano izquierda extendida de la figura, la cual sujeta el cartucho enrollado hacia el frente de la figura, tiene las uñas de los dedos claramente marcadas (fig. 1 x). Esto, dada la aparente posición hacia arriba del dedo pulgar de la mano (desgraciadamente solo su base es visible [1 y]), crea una inversión de la anatomía, ya que en esta actitud, se vería la palma, y no la parte delantera de la mano izquierda, a no ser que estuviera doblada en una posición imposible. Esta situación puede pesar sobre la cuestión general de la disposición de los elementos en el monumento, ya que en la colocación del texto jeroglífico se manifiesta una clara inversión de imagen como un espejo, o simetría bilateral.
Tal aspecto de simetría bilateral está especialmente representada en un monumento que he llamado ”El Rostro de Tláloc” y que procede de Medias Aguas, municipio de Sayula de Alemán. Un estudio iconográfico ha sido publicado por Rubén Bonifaz Nuño (1987, 1988). Otro notable ejemplo de simetría bilateral está dado en la deidad Naxitl, en los tableros del juego de pelota de El Tajín (Winfield Capitaine, 1989: 50-51).
Por otra parte, algunos testimonios de materiales arqueológicos cercanos a la zona, tales como figurillas sonrientes en el Museo de Jalapa, demuestran que se dan representaciones de dos manos izquierdas. Lo mismo sucede con una pintura de Ramsés III (comunicación personal de E. Blakeman, junio de 1989).
El personaje está parado sobre una ancha banda horizontal con 2 elementos rectangulares por lado y cuatro grandes círculos en el centro. A partir del límite inferior estaba enterrada originalmente la Estela. La banda representa una pirámide con cuatro columnas sobre la cual tiene lugar toda la representación de la Estela.
LOS AUTORES DE LA MOJARRA
ARQUEOASTRONOMÍA
Hall, Robert L. Marzo 1 “Relevancia astronómica de las fechas de Cuenta Larga en la Estela 1 de La Mojarra, Veracruz, México y en la Estatuilla de Tuxtla”. Traducción de Winfield Capitaine, Fernando. EN: Gráfico de Xalapa.
Hall, Robert L. Some implications of the Astronomical Associations of the La Mojarra Stela 1 and Tuxtla Statuette Long Count Dates. Scotland. University of St. Andrews, 1990. Draft Copy.
Hall, Robert L. Some implications of the Astronomical Associations of the La Mojarra Stela 1 and Tuxtla Statuette Long Count Dates. Scotland. University of St. Andrews, 1990. Segunda revisión prepublicación.
Hall, Robert L. Some implications of the Astronomical Associations of the La Mojarra Stela 1 and Tuxtla Statuette Long Count Dates. Scotland. University of St. Andrews, 1990. Tercera revisión prepublicación.
Hall Robert L. “Oral presentation”. Scotland. University of St. Andrews, 1990.
Hall, Robert L. “Algunas implicaciones de las asociaciones astronómicas en las fechas de Cuenta Larga de la Estela 1 de La Mojarra y de la Estatuilla de Tuxtla”. Traducción de Winfield Capitaine, Fernando. EN: La Palabra y el Hombre. Revista de la Universidad Veracruzana. (80):9-18, octubre-diciembre de 1991.
Winfield Capitaine, Fernando y Hugo H. Prestinary Canossa. “Eventos astronómicos en la Estela 1 de La Mojarra”. Resumen en: Programa del Congreso Internacional de Antropología e Historia. Veracruz, Ver.
Winfield Capitaine, Fernando y Hugo H. Prestinary Canossa. “Eventos astronómicos en la Estela 1 de La Mojarra”. En: Actas del Congreso Internacional de Antropología e Historia. Veracruz, Ver. Manuscrito.
Winfield Capitaine, Fernando. “La estela 5 de El Zapote y la 1 de La Mojarra, semejanzas”. Primera parte. EN: Punto y Aparte. 13(621): 23, jueves 30 de mayo de 1991.
Winfield Capitaine, Fernando. “La estela 5 de El Zapote y la 1 de La Mojarra, semejanzas”. Segunda Parte. EN: Punto y Aparte.
ARTÍCULOS PERIODÍSTICOS:
Chávez Zenteno, Leobardo. “La Estela 1 de la Mojarra; libro (UNAM) de F. Winfield”. EN: Punto y Aparte. Sección Interlibros. 13(634): 26, jueves 29 de agosto de 1991.
Chávez Zenteno, Leobardo. “Estela 1 La Mojarra; libro de Winfield editado por la UNAM”. EN: Política, 5(1227):3, 5, Viernes 30 de agosto de 1991.
Crossley, Mimi y E. L. Wagner. The New York Times. 8 de marzo de 1988.
Fernández Ponte, Fausto. “La Estela de Acula”. EN: Política. 10 de enero de 1989. p. 3,5.
Hammond, Norman. The Times. London. 8 de marzo de 1988.
Hernández Sosa, José Luis. “Un misterio el declive de la civilización maya clásica: Winfield Capitaine. Surgen tres hipótesis. EN: El Sol Veracruzano. Xalapa. Viernes 20 de julio de 1990, pág. 3-A.
Hernández Sosa, José Luis. “Un misterio la desaparición de la cultura maya. EN: El Dictamen. Veracruz. Domingo 22 julio de 1990, pág. D-1.
Levi, Isaac. “Stone indicates pre-Mayan calendar”.AP. 1988.
Levi, Isaac. AP. 1993.
McGreal, Chris. “Hieroglyphs rewrite Mexican Past”. En: Indipendent. 8 de junio de 1988.
Winfield Capitaine, Fernando. “Resumen de los principales descubrimientos de la cultura olmeca”. En: Gráfico de Xalapa. 20(6263):10, martes 23 de noviembre de 1993.
Williams García, Roberto. “Qué chulada de río”. En: México Desconocido. (131), 1988.
CATÁLOGO DE SIGNOS
Anderson, Lloyd B. La Mojarra Writing Between earliest Monte Alban and Mayan. Partial Concordance and Analysis. Draft of November 14. Washington, D. C. Ecological Linguistics, 1990.
Anderson, Lloyd B. La Mojarra Writing Between earliest Monte Alban and Mayan. Partial Concordance and Analysis. Washington, D. C. Ecological Linguistics, 1990.
Anderson, Lloyd B. “La Mojarra Writing. Partial Concordance and Analysis”. Second Draft of Sign Catalog. Washington, D.C. Ecological Linguistics, 14 December 1990.
Anderson, Lloyd B. The Writing System of La Mojarra. Washington. Ecological Linguistics. March 1991.
Macri, Martha. “The Script on La Mojarra Stela 1 and Classic Maya Writing”. 47 Congreso Internacional de Americanistas. New Orleans, 8 de julio de 1991.
Macri, Martha and Laura Stark. A Sign Catalog of the La Mojarra Script. San Francisco. Pre-Columbian Art Research Institute. Draft. 1991.
Macri, Martha and Laura M. Stark. “A Sign List of the La Mojarra Script”. 47 Congreso Internacional de Americanistas. New Orleans, 8 de julio de 1991.
Macri, Barbara y Laura Stark. A Sign Catalog of the La Mojarra Script. San Francisco, California. Precolumbian Art Research Institute, 1993.
Méluzin, Sylvia. La escritura de la máscara O’Boyle y de la Estela 1 de La Mojarra”. 1990. Traducción de Winfield Capitaine, Fernando. Inédito.
CITAS:
Florescano, Enrique. Memoria Mexicana. México. Fondo de Cultura Económica, 1994.
Miller, Mary and Karl Taube. The Gods and Symbols of Ancient Mexico and the Maya. An Illustrated Dictionary of Mesoamerican Religion. London. Thames and Hudson, 1993.
Morell, Virginia. “Nueva luz sobre la escritura en las Américas”. EN: Extensión (39):32-36, abril-junio de 1991.
Morell, Virginia. “New light about Writing in the Americas”. EN: Science 251:268-270, January 18, 1991.
Reilly, Kent F. Tesis doctoral. Austin. University of Texas, 1994.
Roberts, David. “New keys of the ancient Maya. En: Atlantic, September, 1991.
Roberts, David. “Nuevas claves de los antiguos mayas”. EN: El Nacional Dominical. 2(80):4-8, domingo 1 de diciembre de 1991.
Romero Gómez, Esther. “La estela 1 de La Mojarra, libro de Winfield Capitaine, Fernando. Corolario para la interpretación de glifos”. En: Gaceta UNAM. Organo informativo de la Universidad Nacional Autónoma de México. (2694):34, 29 de octubre de 1992.
Ruiz. La Estela de La Mojarra. Ovaciones de la Tarde. 31 de julio de 1990.
Salazar Páez, Antonio. El Dictamen. Mayo de 1988.
Schuster, Angela. En: Archaeology, 1994.
Schuster, Angela. Gaceta de la Universidad Veracruzana. Enero de 1995.
Siemex. “Monumento descubierto por un pescador”. EN: Diario de Xalapa. Lunes 16 de julio de 1990. Pág. 9-C.
Stuart, David E. and Gareth E. Lowe. Scientific American. February 1990.
Weaver, Muriel Porter. The Aztecs, Maya and their Predecessors. Archaeology of Mesoamerica. San Diego. Academic Press, 1993, 3a. ed.
Wilkerson, S. Jeffrey K. “Cultural Time and Space in Central Veracruz”, p. 6-17, En: Goldstein, Marilyn M. (Curadora). Ceremonial Sculpture of Ancient Veracruz. Brookville, New York. Hilwood Art Gallery, Long Island University, 1988.
Willey, Gordon Randolph. “Progresos recientes en arqueología maya”. En: Vuelta. México. 14(164):21-25, julio de 1990.
Winfield Capitaine, Fernando. Las culturas del Golfo. Xalapa. Ed. Graphos, 1990. 1a. ed.
Winfield Capitaine, Fernando. Las culturas del Golfo. Xalapa. Ed. Graphos, 1990. 2a. ed.
Winfield Capitaine, Fernando. Las culturas del Golfo. Xalapa. Ed. Graphos, 1991. 3a. ed.
Winfield Capitaine, Fernando. Guía oficial del Museo de Antropología de Xalapa. México. INAH-Salvat.
Winfield Capitaine, Fernando. Bibliografía arqueológica del estado de Veracruz. Xalapa. Universidad Veracruzana. EN PRENSA.
Winfield Capitaine, Fernando. Bibliografía arqueológica de Veracruz. En: Actas del 4o. Convenio Internacional de Estudios Americanísticos. Génova, Italia. EN PRENSA.
Winfield Capitaine, Fernando. “Las culturas arqueológicas de Veracruz”. En: Actas del 4o. Convenio Internacional de Estudios Americanísticos. Génova, Italia. EN PRENSA.
Winfield Capitaine, Fernando y José Velasco Toro. “Olmechi, Totonachi, Huaxtechi: civiltà del Veracruz”, p. 88-94. En: Centro America. Tesori d’Arte delle Civiltà Precolombiane. A cura di Claudio Cavatrunci, Giuseppe Orefici, Claudia Terenzi. Milano. Fabbri Editori, 1992.
Winfield Capitaine, Fernando y José Velasco Toro. “Presentación” [del Número 80 de La Palabra y el Hombre]. EN: La Palabra y el Hombre. Revista de la Universidad Veracruzana. (80):5-7, octubre-diciembre de 1991.
Winfield Capitaine, Fernando. Los pueblos prehispánicos de México. México. Salvat Latinoamericana Arte, Ciencia, Cultura, 1994.
Winfield Capitaine, Fernando. México prehispánico. México. Ciencia y Cultura Latinoamérica, JGH Editores, 1994.
COMPARACIONES ESTILÍSTICAS:
Scott, John F. “Stylistic parallels of the La Mojarra Stela”. Miami, Florida. 2nd Miami Conference for Pre-Columbian Studies. October 14, 1990. Museum of Science. Miami, Florida.
Stark, Barbara L. Arqueología Mexicana.
Stuart, George E. “La Mojarra and its Stela”. Washington, D.C. National Geographic Society, October 20, 1990. Manuscrito.
Stuart, George E. “La Mojarra and its Stela”. Washington, D.C. National Geographic Society, October 20, 1990. Manuscrito.
Winfield Capitaine, Fernando. Octubre 27. “Iconographic relationships of the La Mojarra Stela One”. Abstract. San Francisco, California. Pre-Columbian Art Research Institute, M. H. de Young Museum, 27 de octubre de 1990.
Winfield Capitaine, Fernando. “La estela 5 de El Zapote y la 1 de La Mojarra, semejanzas”. Primera parte. EN: Punto y Aparte. 13(621): 23, jueves 30 de mayo de 1991.
Winfield Capitaine, Fernando. “La estela 5 de El Zapote y la 1 de La Mojarra, semejanzas”. Segunda Parte. EN: Punto y Aparte 13(622): 9, jueves 6 de junio de 1991.
Winfield Capitaine, Fernando. “Iconographic relationships of the La Mojarra Stela One”. San Francisco, California. Pre-Columbian Art Research Institute. Manuscrito. 1990.
Winfield Capitaine, Fernando. “Relaciones iconográficas de la Estela 1 de La Mojarra”. San Francisco, California. Pre-Columbian Art Research Institute. Manuscrito.
Winfield Capitaine, Fernando. “La Estela Uno de La Mojarra y otros monumentos”. EN: La Palabra y el Hombre. Revista de la Universidad Veracruzana. (80):75-122, octubre-diciembre de 1991.
Winfield Capitaine, Fernando. “El glifo A2 de La Mojarra. Iconografía de la ceja en Mesoamérica”. Manuscrito.
INTERPRETACIÓN DE GLIFOS:
Barthel, Thomas S. y Hasso von Winning. “Some observations of Stela 1, La Mojarra”. En: Tribus. Jarhbuch des Linden-Museums. Stuttgart. (38):91-120, Dezember 1989.
Barthel, Thomas S. y Hasso von Winning. “Algunas observaciones sobre la Estela 1, La Mojarra”. Traducción de Winfield Capitaine, Fernando. EN: La Palabra y el Hombre. Revista de la Universidad Veracruzana. (80):123-166, octubre-diciembre de 1991.
Barthel, Thomas S. y Hasso von Winning. “La Mojarra Stela 1 revisited”. En: Tribus. Jarhbuch des Linden-Museums. Stuttgart. (40):43-82, Dezember 1991.
Barthel, Thomas S. y Hasso von Winning. “Algunas observaciones sobre la Estela 1, La Mojarra”. 8 partes. Traducción de Winfield Capitaine, Fernando. EN: Política. 30 de mayo, 1, 6, 8, 13, 15, 20 y 22 de junio de 1990.
Barthel, Thomas S. y Hasso von Winning. “Algunas observaciones sobre la Estela 1, La Mojarra, Veracruz”. Traducción de Winfield Capitaine, Fernando. Primera Parte. En: Gráfico de Xalapa. 13 de septiembre de 1990. p. 20.
Barthel, Thomas S. y Hasso von Winning. “Algunas observaciones sobre la Estela 1, La Mojarra, Veracruz”. Traducción de Winfield Capitaine, Fernando. II Parte. En: Gráfico de Xalapa. 18 de septiembre de 1990. p. 22.
Justeson, John. [Nombre del gobernante, Ahau, Cuentas Numéricas, Autosacrificio y correspondencia formal en la Estela 1 de La Mojarra]. [Austin]. [Universidad de Texas], [Marzo de 1991].
Justeson, John y Terence Kauffman. “A Decipherment of Epi-Olmec Hieroglyphic Writing”. En: Science, 259:1703-1711, 19 de marzo de 1993.
Prestinary Canossa, Hugo H. “La regla de La Mojarra”. EN: La Palabra y el Hombre (80):67-74, octubre-diciembre de 1991.
Stark, Laura. “A Linguistic analysis of the recurring sequences from La Mojarra Stela 1. Davies. University of California [1991].
Stross, Brian. “El lenguaje de la Estela 1 de La Mojarra: Pez y maíz”. Traducción de Winfield Capitaine, Fernando. EN: La Palabra y el Hombre. Revista de la Universidad Veracruzana. (80):19-66, octubre-diciembre de 1991.
Stross, Brian y Kent Reilly. “Cielo y tierra: Del icono al glifo”. Traducción de Winfield Capitaine, Fernando. EN: Extensión (38):30-41, enero-marzo, 1991.
Stuart, George E. “La Mojarra and its Stela”. Washington, D.C. National Geographic Society, October 20, 1990. Manuscrito.
Stuart, George E. “New light on the Olmec”. En: National Geographic Magazine. Washington, D. C. 184(5):88-115, October 1993.
Winfield Capitaine, Fernando. La Estela 1 de la Mojarra, Alvarado, Veracruz, Mexico. Washington. Center for Maya Research, June 1988.
Winfield Capitaine, Fernando. “La Estela 1 de la Mojarra, Veracruz, Mexico”. Anales del Instituto de Investigaciones Estéticas, (59):11-16, 1988.
Winfield Capitaine, Fernando. La Estela 1 de La Mojarra. México. UNAM. 1991.
Winfield Capitaine, Fernando. “Iconographic relationships of the La Mojarra Stela One”. 70 págs. San Francisco, California. Pre-Columbian Art Research Institute, M. H. de Young Museum, Proceedings. 27 de octubre de 1990.Manuscrito.
Winfield Capitaine, Fernando. “La estela 5 de El Zapote y la 1 de La Mojarra, semejanzas”. EN: P.A.R.I. Newsletter. San Francisco, California. Pre-Columbian Arte Resarch Institute.
Winfield Capitaine, Fernando “Mural del juego de pelota de Las Higueras”. En: Literal. Xalapa, Ver., México. 3(17):13-16, septiembre-octubre de 1993.
Winfield Capitaine, Fernando y Hugo H. Prestinary Canossa. “Números distancia en la Estela 1 de La Mojarra”. Resumen. En: Programa del Congreso Internacional de Antropología e Historia. Veracruz, Ver.
Winfield Capitaine, Fernando. “Simbología animal prehispánica”. En: La Palabra y el Hombre. EN PRENSA.
Winfield Capitaine, Fernando y Hugo H. Prestinary Canossa. “El gobernante de la Estela 1 de La Mojarra”. Resumen en: Programa del Congreso Internacional de Antropología e Historia. Veracruz, Ver.
Winfield Capitaine, Fernando y Hugo H. Prestinary Canossa. “Números distancia en la Estela 1 de La Mojarra”. En: Actas del Congreso Internacional de Antropología e Historia. Veracruz, Ver.
Winfield Capitaine, Fernando y Hugo H. Prestinary Canossa. “El gobernante de la Estela 1 de La Mojarra”. En: Actas del Congreso Internacional de Antropología e Historia. Veracruz, Ver.
Winfield Capitaine, Fernando. 1991 Ensayos sobre La Mojarra. Manuscrito.
Winning, Hasso von y Nelly Gutiérrez Solana. La iconografía de la cerámica de Río Blanco, Veracruz. Mecanuscrito. 1993.
CONFERENCIAS
Winfield Capitaine, Fernando. “La Estela 1 de La Mojarra”. Universidad de Roma “La Sapienza”. 8 de junio de 1988.
Winfield Capitaine, Fernando. “Iconographic Relationships of the La Mojarra Stela One”. San Francisco, California. Pre-Columbian Art Research Institute, M. H. de Young Museum, 27 de octubre de 1990.
Winfield Capitaine, Fernando. “The glyphs of the La Stela of the La Mojarra Number One”. Austin. Universidad de Texas. Huntington Gallery. Department of Art. 29 St. and San Jacinto Boulevard. Advanced Seminar of Maya Writing Decipherment. Miércoles 13 de marzo de 1991. 14 horas.
Winfield Capitaine, Fernando. “La subárea cultural del Golfo”. Facultad de Antropología de la Universidad Veracruzana. Xalapa, Ver. Viernes 28 de junio de 1991.
Winfield Capitaine, Fernando. “El glifo A2 de La Mojarra. Iconografía de la ceja en Mesoamérica”. En: Universidad de Texas en Austin. Departamento de Arte. Martes 17 de marzo de 1992.
Winfield Capitaine, Fernando. “La escritura pre maya en Veracruz (Siglo 2 d. C.)”. Club Rotario de Xalapa. 25 de marzo de 1992.
Winfield Capitaine, Fernando. “Escritura premaya en Veracruz”. Colegio Médico Macuiltépetl. Xalapa. Jueves 14 de mayo de 1992.
Winfield Capitaine, Fernando. “Bibliografía arqueológica sobre Veracruz”. 4o. Convenio Internacional de Estudios Americanísticos. Génova, Italia. Centro de Congresos de la Expo 92. 8 de julio de 1992.
Winfield Capitaine, Fernando. “Números distancia en la Estela 1 de La Mojarra”. Congreso Internacional de Antropología e Historia. Veracruz, Ver. 9 de septiembre de 1992.
Winfield Capitaine, Fernando. “El gobernante de la Estela 1 de La Mojarra”. Congreso Internacional de Antropología e Historia. Veracruz, Ver. 9 de septiembre de 1992.
Winfield Capitaine, Fernando. “Eventos astronómicos en la Estela 1 de La Mojarra”. Congreso Internacional de Antropología e Historia. Veracruz, Ver. 9 de septiembre de 1992.
Winfield Capitaine, Fernando. Oxford, Inglaterra. Universidad de Oxford. Mexican Oxford Society. “Escritura Pre-maya en Veracruz”. 19 de agosto de 1993.
CONGRESOS.
8-9 de marzo de 1988. Simposio sobre Escritura Maya. Austin. Universidad de Texas.
Octubre de 1988. Simposio Anual de la Sociedad Mexicana de Ingenieros México-Norteamericanos. Los Angeles, California.
Marzo de 1990. 6o. Simposio sobre Escritura Maya. Austin. Universidad de Texas.
Marzo de 1990. Introducción al Taller sobre Escritura Maya. Austin. Universidad de Texas.
Marzo de 1990. Taller sobre Escritura Maya. Austin. Universidad de Texas.
Marzo de 1990. Seminario Avanzado de Desciframiento sobre Escritura Maya. Austin. Universidad de Texas.
Miniconferencia sobre La Mojarra. San Francisco, California. Pre-Columbian Art Research Institute, M. H. de Young Museum, 27 de octubre de 1990.
5 y 6 de marzo de 1991. 7o. Simposio sobre Escritura Maya. Auditorio de la Biblioteca Lyndon Baynes Johnson. Universidad de Texas. Austin.
7 de marzo de 1991. “Evoking the Maya”. Austin. Universidad de Texas. Huntington Gallery. Department of Art. 29 St. and San Jacinto Boulevard.
7 y 8 de marzo de 1991. Workshop of Maya Writing. Austin. Universidad de Texas. Huntington Gallery. Department of Art. 29 St. and San Jacinto Boulevard.
9 al 16 de marzo de 1991. Advanced Seminar of Maya Writing Decipherment. Austin. Universidad de Texas. Huntington Gallery. Department of Art. 29 St. and San Jacinto Boulevard.
Mini Conferencia sobre La Mojarra. Martes 18 de febrero de 1992. Universidad de California en Davies.
8o. Simposio sobre escritura maya. 12 y 13 de marzo de 1992. Auditorio de la Biblioteca Lyndon Baynes Johnson. Universidad de Texas. Austin.
Workshop of Maya Writing.
Long Workshop.
Julio 5-11. 4o. Convenio Internacional de Estudios Americanísticos. Génova, Italia. Centro de Congresos de la Expo 92.
Septiembre 8 al 12. Congreso Internacional de Antropología e Historia. Veracruz, Ver.
LISTADO ALFABÉTICO DE AUTORES
Anderson, Lloyd B. La Mojarra Writing Between earliest Monte Alban and Mayan. Partial Concordance and Analysis. Draft of November 14. Washington, D. C. Ecological Linguistics, 1990.
Anderson, Lloyd B. La Mojarra Writing Between earliest Monte Alban and Mayan. Partial Concordance and Analysis. Washington, D. C. Ecological Linguistics, 1990.
Anderson, Lloyd B. “La Mojarra Writing. Partial Concordance and Analysis”. Second Draft of Sign Catalog. Washington, D.C. Ecological Linguistics, 14 December 1990.
Anderson, Lloyd B. The Writing System of La Mojarra. Washington. Ecological Linguistics. March 1991.
Barthel, Thomas S. y Hasso von Winning. “Some observations of Stela 1, La Mojarra”. En: Tribus. Jarhbuch des Linden-Museums. Stuttgart. (38):91-120, Dezember 1989.
Barthel, Thomas S. y Hasso von Winning. “Algunas observaciones sobre la Estela 1, La Mojarra”. Traducción de Winfield Capitaine, Fernando. EN: La Palabra y el Hombre. Revista de la Universidad Veracruzana. (80):123-166, octubre-diciembre de 1991.
Barthel, Thomas S. y Hasso von Winning. “La Mojarra Stela 1 revisited”. En: Tribus. Jarhbuch des Linden-Museums. Stuttgart. (40):43-82, Dezember 1991.
Barthel, Thomas S. y Hasso von Winning. “Algunas observaciones sobre la Estela 1, La Mojarra”. 8 partes. Traducción de Winfield Capitaine, Fernando. EN: Política. 30 de mayo, 1, 6, 8, 13, 15, 20 y 22 de junio de 1990.
Barthel, Thomas S. y Hasso von Winning. “Algunas observaciones sobre la Estela 1, La Mojarra, Veracruz”. Traducción de Winfield Capitaine, Fernando. Primera Parte. Gráfico de Xalapa. 13 de septiembre de 1990. p. 20.
Barthel, Thomas S. y Hasso von Winning. “Algunas observaciones sobre la Estela 1, La Mojarra, Veracruz”. Traducción de Winfield Capitaine, Fernando. II Parte. Gráfico de Xalapa. 18 de septiembre de 1990. p. 22.
Chávez Zenteno, Leobardo. “La Estela 1 de la Mojarra; libro (UNAM) de F. Winfield”. EN: Punto y Aparte. Sección Interlibros. 13(634): 26, jueves 29 de agosto de 1991.
Chávez Zenteno, Leobardo. “Estela 1 La Mojarra; libro de Winfield editado por la UNAM”. EN: Política, 5(1227) Viernes 30 de agosto de 1991, pág. 3, 5.
Crossley, Mimy y E. Logan Wagner. The New York Times. 8 de marzo de 1988.
Fernández Ponte, Fausto. “La Estela de Acula”. EN: Política. 10 de enero de 1989. p. 3,5.
Florescano, Enrique. Memoria Mexicana. México. Fondo de Cultura Económica, 1994.
Hall, Robert L. Marzo 1 “Relevancia astronómica de las fechas de Cuenta Larga en la Estela 1 de La Mojarra, Veracruz, México y en la Estatuilla de Tuxtla”. Traducción de Winfield Capitaine, Fernando. EN: Gráfico de Xalapa.
Hall, Robert L. Some implications of the Astronomical Associations of the La Mojarra Stela 1 and Tuxtla Statuette Long Count Dates. Scotland. University of St. Andrews, 1990. Draft Copy.
Hall, Robert L. Some implications of the Astronomical Associations of the La Mojarra Stela 1 and Tuxtla Statuette Long Count Dates. Scotland. University of St. Andrews, 1990. Pág. 1, 6 (dos referencias). Segunda revisión prepublicación.
Hall, Robert L. Some implications of the Astronomical Associations of the La Mojarra Stela 1 and Tuxtla Statuette Long Count Dates. Scotland. University of St. Andrews, 1990. Pág. 1, 6 (dos referencias). Tercera revisión prepublicación.
Hall Robert L. “Oral presentation”. Scotland. University of St. Andrews, 1990. p. 5.
Hall, Robert L. “Algunas implicaciones de las asociaciones astronómicas en las fechas de Cuenta Larga de la Estela 1 de La Mojarra y de la Estatuilla de Tuxtla”. Traducción de Winfield Capitaine, Fernando. EN: La Palabra y el Hombre. Revista de la Universidad Veracruzana. (80):9-18, octubre-diciembre de 1991.
Hammond, Norman. The Times. London. 8 de marzo de 1988.
Hernández Sosa, José Luis. “Un misterio el declive de la civilización maya clásica: Winfield Capitaine. Surgen tres hipótesis. EN: El Sol Veracruzano. Xalapa. Viernes 20 de julio de 1990, pág. 3-A.
Hernández Sosa, José Luis. “Un misterio la desaparición de la cultura maya. EN: El Dictamen. Veracruz. Domingo 22 julio de 1990, pág. D-1.
Justeson, John. [Nombre del gobernante, Ahau, Cuentas Numéricas, Autosacrificio y correspondencia formal en la Estela 1 de La Mojarra]. [Austin]. [Universidad de Texas], [Marzo de 1991].
Justeson, John y Terence Kauffman. “A Decipherment of Epi-Olmec Hieroglyphic Writing”. En: Science, 259:1703-1711, 19 de marzo de 1993.
Levi, Isaac. “Stone indicates pre-Mayan calendar”.AP. 1988.
Levy, Isaac. The Associated Press, 1992.
McGreal, Chris. “Hieroglyphs rewrite Mexican Past”. En: Indipendent. 8 de junio de 1988.
Macri, Martha. “The Script on La Mojarra Stela 1 and Classic Maya Writing”. 47 Congreso Internacional de Americanistas. New Orleans, 8 de julio de 1991.
Macri, Martha and Laura Stark. A Sign Catalog of the La Mojarra Script. San Francisco. Pre-Columbian Art Research Institute. Draft. 1991.
Macri, Martha and Laura M. Stark. “A Sign List of the La Mojarra Script”. 47 Congreso Internacional de Americanistas. New Orleans, 8 de julio de 1991.
Macri, Barbara y Laura Stark. A Sign Catalog of the La Mojarra Script. San Francisco, California. Precolumbian Art Research Institute, 1993.
Méluzin, Sylvia. La escritura de la máscara O’Boyle y de la Estela 1 de La Mojarra”. 1990. Traducción de Winfield Capitaine, Fernando. Inédito.
Miller, Mary and Karl Taube. The Gods and Symbols of Ancient Mexico and the Maya. An Illustrated Dictionary of Mesoamerican Religion. London. Thames and Hudson, 1993.
Morell, Virginia. “Nueva luz sobre la escritura en las Américas”. EN: Extensión (39):32-36, abril-junio de 1991.
Morell, Virginia. “New light about Writing in the Americas”. EN: Science 251:268-270, January 18, 1991.
Prestinary Canossa, Hugo H. “La regla de La Mojarra”. EN: La Palabra y el Hombre (80):67-74, octubre-diciembre de 1991.
Reilly, Kent F. Tesis doctoral. Austin. University of Texas, 1994.
Roberts, David. “New keys of the ancient Maya. En: Atlantic, September, 1991.
Roberts, David. “Nuevas claves de los antiguos mayas”. EN: El Nacional Dominical. 2(80):4-8, domingo 1 de diciembre de 1991.
Romero Gómez, Esther. “La estela 1 de La Mojarra, libro de Winfield Capitaine, Fernando. Corolario para la interpretación de glifos”. En: Gaceta UNAM. Organo informativo de la Universidad Nacional Autónoma de México. (2694):34, 29 de octubre de 1992.
Ruiz. La Estela de La Mojarra. Ovaciones de la Tarde. 31 de julio de 1990.
Salazar Páez, Antonio. El Dictamen. Mayo de 1988.
Schuster, Angela. En: Archaeology, 1994.
Schuster, Angela. Gaceta de la Universidad Veracruzana. Enero de 1995.
Scott, John F. “Stylistic parallels of the La Mojarra Stela”. Miami, Florida. 2nd Miami Conference for Pre-Columbian Studies. October 14, 1990. Museum of Science. Miami, Florida.
Siemex. “Monumento descubierto por un pescador”. EN: Diario de Xalapa. Lunes 16 de julio de 1990. Pág. 9-C.
Stark, Barbara. Arqueología Mexicana.
Stark, Laura. “A Linguistic analysis of the recurring sequences from La Mojarra Stela 1. Davies. University of California [1991].
Stross, Brian. “El lenguaje de la Estela 1 de La Mojarra: Pez y maíz”. Traducción de Winfield Capitaine, Fernando. EN: La Palabra y el Hombre. Revista de la Universidad Veracruzana. (80):19-66, octubre-diciembre de 1991.
Stross, Brian y Kent Reilly. “Cielo y tierra: Del icono al glifo”. Traducción de Winfield Capitaine, Fernando. EN: Extensión (38):30-41, enero-marzo, 1991.
Stuart, David E. and Gareth E. Lowe. Scientific American. February 1990.
Stuart, George E. “La Mojarra and its Stela”. Washington, D.C. National Geographic Society, October 20, 1990. Manuscrito.
Stuart, George E. “The Carved Stela from La Mojarra, Veracruz, Mexico”. En: Science 259:1700-1701, 19 de marzo de 1993.
Stuart, George E. “New light on the Olmec”. En: National Geographic Magazine. Washington, D. C. 184(5):88-115, October 1993.
Weaver, Muriel Porter. The Aztecs, Maya and their Predecessors. Archaeology of Mesoamerica. San Diego. Academic Press, 1993, 3a. ed.
Wilkerson, S. Jeffrey K. “Cultural Time and Space in Central Veracruz”, p. 6-17, En: Goldstein, Marilyn M (Curadora). Ceremonial Sculpture of Ancient Veracruz. Brookville, New York. Hilwood Art Gallery, Long Island University, 1988.
Willey, Gordon Randolph. “Progresos recientes en arqueología maya”. En: Vuelta. México. 14(164):21-25, julio de 1990.
Williams García, Roberto. “Qué chulada de río”. En: México Desconocido. (131), 1988.
Winfield Capitaine, Fernando. La Estela 1 de la Mojarra, Alvarado, Veracruz, Mexico. Washington. Center for Maya Research, June 1988.
Winfield Capitaine, Fernando. La Estela 1 de la Mojarra, Veracruz, Mexico. Anales del Instituto de Investigaciones Estéticas, 1988.
Winfield Capitaine, Fernando. Octubre 27. “Iconographic relationships of the La Mojarra Stela One”. Abstract. San Francisco, California. Pre-Columbian Art Research Institute, M. H. de Young Museum, 27 de octubre de 1990.
Winfield Capitaine, Fernando. “La estela 5 de El Zapote y la 1 de La Mojarra, semejanzas”. Primera parte. EN: Punto y Aparte. 13(621): 23, jueves 30 de mayo de 1991.
Winfield Capitaine, Fernando. “La estela 5 de El Zapote y la 1 de La Mojarra, semejanzas”. Segunda Parte. EN: Punto y Aparte 13(622): 9, jueves 6 de junio de 1991.
Winfield Capitaine, Fernando. “Iconographic relationships of the La Mojarra Stela One”. San Francisco, California. Pre-Columbian Art Research Institute Newsletter (13):2, June 1991.
Winfield Capitaine, Fernando. “Relaciones iconográficas de la Estela 1 de La Mojarra”. San Francisco, California. Pre-Columbian Art Research Institute. Manuscrito.
Winfield Capitaine, Fernando. “La Estela Uno de La Mojarra y otros monumentos”. EN: La Palabra y el Hombre. Revista de la Universidad Veracruzana. (80):75-122, octubre-diciembre de 1991.
Winfield Capitaine, Fernando y José Velasco Toro. “Presentación” [del Número 80 de La Palabra y el Hombre]. EN: La Palabra y el Hombre. Revista de la Universidad Veracruzana. (80):5-7, octubre-diciembre de 1991.
Winfield Capitaine, Fernando. “El glifo A2 de La Mojarra. Iconografía de la ceja en Mesoamérica”. Manuscrito.
Winfield Capitaine, Fernando. Las culturas del Golfo. Xalapa. Ed. Graphos, 1990. 2a. ed.
Winfield Capitaine, Fernando. Las culturas del Golfo. Xalapa. Ed. Graphos, 1991. 3a. ed.
Winfield Capitaine, Fernando. La Estela 1 de La Mojarra. México. UNAM. 1991.
Winfield Capitaine, Fernando. Guía oficial del Museo de Antropología de Xalapa. México. INAH-Salvat.
Winfield Capitaine, Fernando. Bibliografía arqueológica del estado de Veracruz. Xalapa. Universidad Veracruzana. EN PRENSA.
Winfield Capitaine, Fernando. “Bibliografía arqueológica sobre Veracruz”. En: Actas del 4o. Convenio Internacional de Estudios Americanísticos. Génova, Italia. Manuscrito.
Winfield Capitaine, Fernando. “Las culturas arqueológicas de Veracruz”. En: Actas del 4o. Convenio Internacional de Estudios Americanísticos. Génova, Italia. Manuscrito.
Winfield Capitaine, Fernando. “Iconographic relationships of the La Mojarra Stela One”. 70 págs. San Francisco, California. Pre-Columbian Art Research Institute, M. H. de Young Museum, Proceedings. 27 de octubre de 1990. EN PRENSA.
Winfield Capitaine, Fernando. 1991 Ensayos sobre La Mojarra. Manuscrito.
Winfield Capitaine, Fernando. “Resumen de los principales descubrimientos de la cultura olmeca”. En: Gráfico de Xalapa. 20(6263):10, martes 23 de noviembre de 1993.
Winfield Capitaine, Fernando “Mural del juego de pelota de Las Higueras”. En: Literal. Xalapa, Ver., México. 3(17):13-16, septiembre-octubre de 1993.
Winfield Capitaine, Fernando. Bibliografía arqueológica de Veracruz. EN PRENSA.
Winfield Capitaine, Fernando y Hugo H. Prestinary Canossa. “Números distancia en la Estela 1 de La Mojarra”. Resumen. En: Programa del Congreso Internacional de Antropología e Historia. Veracruz, Ver.
Winfield Capitaine, Fernando “Resumen de los principales descubrimientos de la cultura olmeca”. En: Gráfico de Xalapa. Xalapa, Ver. 20(6263): 10, martes 23 de noviembre de 1993.
Winfield Capitaine, Fernando. “Simbología animal prehispánica”. En: La Palabra y el Hombre (96). EN PRENSA.
Winfield Capitaine, Fernando y Hugo H. Prestinary Canossa. “El gobernante de la Estela 1 de La Mojarra”. Resumen en: Programa del Congreso Internacional de Antropología e Historia. Veracruz, Ver.
Winfield Capitaine, Fernando y Hugo H. Prestinary Canossa. “Eventos astronómicos en la Estela 1 de La Mojarra”. Resumen en: Programa del Congreso Internacional de Antropología e Historia. Veracruz, Ver.
Winfield Capitaine, Fernando y Hugo H. Prestinary Canossa. “Números distancia en la Estela 1 de La Mojarra”. En: Actas del Congreso Internacional de Antropología e Historia. Veracruz, Ver.
Winfield Capitaine, Fernando y Hugo H. Prestinary Canossa. “El gobernante de la Estela 1 de La Mojarra”. En: Actas del Congreso Internacional de Antropología e Historia. Veracruz, Ver.
Winfield Capitaine, Fernando y Hugo H. Prestinary Canossa. “Eventos astronómicos en la Estela 1 de La Mojarra”. En: Actas del Congreso Internacional de Antropología e Historia. Veracruz, Ver.
Winfield Capitaine, Fernando. Y José Velasco Toro. “Olmechi, Totonachi, Huaxtechi: civiltà del Veracruz”, p. 88-94. En: Centro America. Tesori d’Arte delle Civiltà Precolombiane. A cura di Claudio Cavatrunci, Giuseppe Orefici, Claudia Terenzi. Milano. Fabbri Editori, 1992.
Winning, Hasso von y Nelly Gutiérrez Solana. La iconografía de la cerámica de Río Blanco, Veracruz. Mecanuscrito. 1993.
< b>CONFERENCIAS
Winfield Capitaine, Fernando. “Iconographic Relationships of the La Mojarra Stela One”. San Francisco, California. Pre-Columbian Art Research Institute, M. H. de Young Museum, 27 de octubre de 1990.
Winfield Capitaine, Fernando. “The glyphs of the La Stela of the La Mojarra Number One”. Austin. Universidad de Texas. Huntington Gallery. Department of Art. 29 St. and San Jacinto Boulevard. Advanced Seminar of Maya Writing Decipherment. Miércoles 13 de marzo de 1991. 14 horas.
Winfield Capitaine, Fernando. “La subárea cultural del Golfo”. Facultad de Antropología de la Universidad Veracruzana.
Xalapa, Ver. Viernes 28 de junio de 1991.
Winfield Capitaine, Fernando. “El glifo A2 de La Mojarra. Iconografía de la ceja en Mesoamérica”. En: Universidad de Texas en Austin. Departamento de Arte. Martes 17 de marzo de 1992.
Winfield Capitaine, Fernando. “La escritura pre maya en Veracruz (Siglo 2 d. C.)”. Club Rotario de Xalapa. 25 de marzo de 1992.
Winfield Capitaine, Fernando. “Escritura premaya en Veracruz”. Colegio Médico Macuiltépetl. Xalapa. Jueves 14 de mayo de 1992.
Winfield Capitaine, Fernando. “Bibliografía arqueológica sobre Veracruz”. 4o. Convenio Internacional de Estudios Americanísticos. Génova, Italia. Centro de Congresos de la Expo 92. 8 de julio de 1992.
Winfield Capitaine, Fernando. “Números distancia en la Estela 1 de La Mojarra”. Congreso Internacional de Antropología e Historia. Veracruz, Ver. 9 de septiembre de 1992.
Winfield Capitaine, Fernando. “El gobernante de la Estela 1 de La Mojarra”. Congreso Internacional de Antropología e Historia. Veracruz, Ver. 9 de septiembre de 1992.
Winfield Capitaine, Fernando. “Eventos astronómicos en la Estela 1 de La Mojarra”. Congreso Internacional de Antropología e Historia. Veracruz, Ver. 9 de septiembre de 1992.
Winfield Capitaine, Fernando. Oxford, Inglaterra. Universidad de Oxford. Mexican Oxford Society. “Escritura Pre-maya en Veracruz”. 19 de agosto de 1993.
Winfield Capitaine, Fernando. Los pueblos prehispánicos de México. México. Salvat Latinoamericana Arte, Ciencia, Cultura, 1994.
CONGRESOS.
Marzo de 1990. 6o. Simposio sobre Escritura Maya. Austin. Universidad de Texas.
Marzo de 1990. Introducción al Taller sobre Escritura Maya. Austin. Universidad de Texas.
Marzo de 1990. Taller sobre Escritura Maya. Austin. Universidad de Texas.
Marzo de 1990. Seminario Avanzado de Desciframiento sobre Escritura Maya. Austin. Universidad de Texas.
Miniconferencia sobre La Mojarra. San Francisco, California. Pre-Columbian Art Research Institute, M. H. de Young Museum, 27 de octubre de 1990.
5 y 6 de marzo de 1991. 7o. Simposio sobre Escritura Maya. Auditorio de la Biblioteca Lyndon Baynes Johnson. Universidad de Texas. Austin.
7 de marzo de 1991. “Evoking the Maya”. Austin. Universidad de Texas. Huntington Gallery. Department of Art. 29 St. and San Jacinto Boulevard.
7 y 8 de marzo de 1991. Workshop of Maya Writing. Austin. Universidad de Texas. Huntington Gallery. Department of Art. 29 St. and San Jacinto Boulevard.
9 al 16 de marzo de 1991. Advanced Seminar of Maya Writing Decipherment. Austin. Universidad de Texas. Huntington Gallery. Department of Art. 29 St. and San Jacinto Boulevard.
Mini Conferencia sobre La Mojarra. Martes 18 de febrero de 1992. Universidad de California en Davies.
8o. Simposio sobre escritura maya. 12 y 13 de marzo de 1992. Auditorio de la Biblioteca Lyndon Baynes Johnson. Universidad de Texas. Austin.
Workshop of Maya Writing.
Long Workshop.
Julio 5-11. 4o. Convenio Internacional de Estudios Americanísticos. Génova, Italia. Centro de Congresos de la Expo 92.
Septiembre 8 al 12. Congreso Internacional de Antropología e Historia. Veracruz, Ver.
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While these substances offered potential advantages, they also got here with important well being dangers of steroids, elevating considerations in regards to the long-term results on users. The use of anabolic steroids grew to become prevalent in the course of the 1970s as bodybuilders sought ways to enhance their efficiency rapidly. Commonly used substances included testosterone and Dianabol (Dbol), which were believed to significantly enhance muscle development and recovery occasions.
Supplement corporations haven’t created authorized steroids that come with out unwanted effects. Owever, it’s not unknown for this to achieve one hundred mg per day within the insane steroid abusers—but that may undoubtedly include unwanted facet effects. What’s very appealing about Dianabol is that it combines nicely with different steroids. This makes it best for stacking—few guys have discovered any antagonistic reactions that can occur when mixing Dianabol with other steroids collectively during a cycle. Spectacular muscle features can be achieved in just a few weeks when utilizing this artificial. It’s not unusual to see around 20-pound increases after simply 21 days of use.
He and others believed huge muscles have been exhausting to get without steroids to get lean (https://piganddac.com/news/dbol_tren_test_cycle.html). It’s stated that steroids helped attain 10% to 20% of his wonderful body4. Arnold Schwarzenegger has spoken brazenly about using steroids. After moving to the United States in 19684, he additionally used substances just like testosterone. He took one hundred milligrams of testosterone and 15 milligrams of Dianabol daily. Schwarzenegger decided to retire from competitive bodybuilding after successful his seventh Mr. Olympia title in 1975. This determination was influenced by his need to explore new alternatives in acting and politics while additionally recognizing that he had reached the head of success throughout the sport.
This is why some bodybuilders look very muscular and have lots of visible veins. Schwarzenegger began using steroids before the 1967 Mr. Universe contest. He looked into what athletes in East Germany and the Soviet had been taking. In the 70s, bodybuilders often used Dianabol, Primobolan, and testosterone together. The “Terminator” star informed Men’s Well Being for its July/August cover story that “persons are dying” from abusing efficiency enhancing medication. Defeating the legendary bodybuilding star Sergio Oliva, ‘The Austrian Oak’ rose to stardom. Winning the title six consecutive times, he made his dominance clear.
Schwarzenegger, who’s starring in the Netflix collection FUBAR, a few CIA operative, said in an interview earlier this month with the Hollywood Reporter he has no plans of slowing down. Schwarzenegger has been open about what he did to become a bodybuilding legend. He has also mentioned his emotions about bodybuilding right now. Schwarzenegger, who’s starring within the Netflix collection FUBAR, a couple of CIA operative, stated in an interview earlier this month with the Hollywood Reporter he has no plans of slowing down. While Schwarzenegger’s move to acting raised his profile, it also amplified discussions about how his physique was built. These questions inevitably wove by way of the narrative of his career, suggesting that his on-screen allure was derived from extra than simply pure athleticism. Indeed, his body was his brand, and sustaining its stature grew to become important to his continued relevance in the motion style.
Recipes for Schwarzenegger included 100 milligrams of testosterone weekly. When the 75-year-old was a bodybuilder within the 1970s, he stated he legally did a regimen of testosterone and D-Bol under the supervision of a well being care provider. Labor like that could definitely be seen as a prelude to his bodybuilding days.
His mixture of intense training and thoughtful steroid use guides upcoming bodybuilders. His methods supply a way to excel in today’s advanced bodybuilding world. Before competitions, Yates used various medication like testosterone, Dianabol, and human growth hormone (hGH).
However, think about getting a health care provider’s supervision to make sure all these products fit your body. There’s a lot of speculation round what type of drug use the golden era bodybuilders deployed to get the physiques which may be so wanted these days. One of essentially the most well-known circumstances of steroids use in sports activities concerned the Terminator himself. In 2005, speculation concerning Arnold Schwarzenegger’s steroids use when he was within the bodybuilding circuit have been laid to rest when he admitted to doing so in an interview.
Schwarzenegger made heads flip when he dethroned three-time Mr. Olympia champion Sergio Oliva to win his first ever Mr. Olympia title. After that he continued to overcome the Mr. Olympia stage and ended his pro bodybuilding career with seven Mr. Olympia titles. This is basically due to the speedy features in strength and size when biking on this highly effective testosterone-derived compound. We decided one of the best steroid cycle must be the one used by the best bodybuilder of all time – Arnold Schwarzenegger (source). This steroid stack is the best mixture for tree-trunk arms and a tiny waist, which the “Austrian Oak” will eternally be admired for. By 1967, Arnold had relocated to La to immerse himself in the epicenter of professional bodybuilding. But arriving in California wasn’t an instant ticket to success.
Rising up in a modest household, he developed an curiosity in bodybuilding at a younger age, impressed by his father’s influence and the enduring bodybuilder Reg Park. By age 15, Schwarzenegger was already coaching rigorously, dreaming of changing into a champion bodybuilder. Unleash the complete testosterone-producing potential in your physique. To be trustworthy the bodybuilders at present don’t impress me at all. Greg has coated the four main sports activities for six years and has been featured on websites similar to Sports Activities Illustrated, Fox Sports, SB Nation, NJ.com, and FanSided. Now, he is transitioning into the world of bodybuilding and power sports. The difference in steroids from back in Arnold Schwarzenegger’s era to now is massive in use and the way they are received.
Asking questions could be a great method of studying; however, there remains a scarce quantity of data online as a result of taboo nature of steroids, inflicting a lot misinformation and bro-science. If you take this treatment over a chronic interval, carry an identification card together with your name and handle, the sort and dose of your medication, and your care group’s name and address. A common dose of Deca is 300–400 mg per week when stacked with different steroids.
https://www.joecustoms.com/ads/pages/what-are-good-steroids.html steroids have been used in this method for the rationale that Fifties, in accordance with analysis. But since then they’ve been banned by a quantity of athletic organizations as performance-enhancing medication (more on that below). But some social media users might have forgotten these high-profile downfalls, as they boast of the fitness and muscle gains from taking the identical illegal medication. In conclusion, using steroids raises essential legal and ethical issues that should be fastidiously thought of. In my journey from soccer to MMA, I’ve relied on Natural testosterone boosters like vitamin D, ashwagandha, zinc, and protein. They’re protected and efficient for sustaining healthy testosterone ranges [18]. These synthetic hormones mimic testosterone and are primarily used to bulk up muscle.
Creating an area for individuals to ask questions about their back pain (whether acute or chronic), giving that means, and providing hope for those struggling. This is a spot that doesn’t tolerate misinformation, outdated notions/ideas, BUT promotes anti-fragility and hope. The aim for you is to vent, obtain recommendation on navigating your pain, and depart feeling hopeful as an alternative of weak, lost, fragile or damaged. Nutritional/dietary supplements are substances bought legally from dietary stores or through the web which may be usually taken together with different APEDs. Creatine, which boosts train capacity, is one common example.
Steroid injections include varied formulations of medicines. A common combination is a numbing drug just like procaine (Novocain) blended with the anti-inflammatory drug cortisone. These decrease inflammation in your anus and rectum when you may have Crohn’s. However long-term use can weaken the muscles in your anus and rectum and cause a condition known as steroid myopathy.
The girls develop excessive facial hair, male sample baldness, menstrual disturbances, and so forth. If children abuse these medication then their overall progress might be stunted. Tablets are among the most typical types of these drugs, but they’re additionally available as syrups. This is useful for pediatric and geriatric patients who may not be ready to swallow drugs easily. You mustn’t take this medicine if you are allergic to prednisone or methylprednisolone or have experienced severe systemic (eg. bloodstream) fungal infections. If you’ve used a steroid cream for a protracted time and want to cease, your physician may taper you off the medication.
Your healthcare supplier will weigh the potential advantages and side effects when giving this and other medications. Many people have benefitted from prednisone without critical side effects. Talking to your healthcare provider, using your medication as instructed, and taking the mandatory precautions, can help you benefit from prednisone while managing side effects. Steroid medication, corresponding to prednisone, work by lowering the exercise of the immune system. Steroids work by slowing your body’s response to illness or injury.
There are several types of steroids in our body; they serve numerous forms of metabolic perform. Find a chart of topical steroids classified by their efficiency, by both the brand names and generic names. You have a larger probability of growing congestion in case your nostril is infected from allergic reactions.
When doctors give folks steroid injections for arthritis, for example, they could use them alongside other medicine to modify the course of the disease and deal with the signs. Steroid injections, or corticosteroids, are synthetic variations of hormones that the adrenal glands produce. Although they are often effective and fast-acting, they may have unwanted effects. An important takeaway, Guermazi mentioned, is that doctors ought to inform patients of all the potential dangers of steroid injections as they weigh remedy choices collectively. Sure, we’ve seen anabolic steroids cause melancholy in sure people because of the lowering of endogenous testosterone. As defined within the above part, testosterone increases dopamine, an important neurotransmitter for mental health. After a cycle ends, a man’s testosterone ranges turn into shut down, and thus his psychological well being can suffer (at least temporarily).
HGH must be used for a minimal of 16 weeks at 4iu day by day to get the total profit, with testosterone at 400mg weekly for the second half of the cycle solely. Ladies will usually use HGH at low doses for a number of years to burn fats, maintain a perfect weight, enhance muscle tone, and the above-mentioned anti-aging results. Women should be careful when it comes to avoiding greater doses, especially when planning to make use of HGH over a number of years.
It has been efficiently prescribed to women for breast cancer therapy (1) and children affected by dwarfism (2) with out notable adverse results. Then Arnold decided to turn out to be a movie-star, his body helped or forced him right into a sure path, thus he grew to become an action-hero. He succeeded and he educated for a brief time period underneath President Bush who appointed him as the President’s Council on Physical Health and Sports Activities, in which he served from 1990 to 1993. Like most men of his age he grew to become fatter and his muscle tissue sagged out. He was spotted on the seaside this fashion and even hadn’t shaved his body-hair. If you need to push past barriers and feel you’ve reached a brick wall with your progress, HGH can get you previous that time and on to experience results that aren’t in any other case attainable solely with steroids. Whereas this makes HGH mostly suitable for extra superior steroid customers, with some careful planning, beginners also can reap the benefits of growth hormone, which has a vast array of optimistic advantages and is taken into account typically very secure when used sensibly.
In the literature, a quantity of species of fungi belonging to the genera Aspergillus, Fusarium, Mortierella, and Penicillium and able to hydroxylating various steroids in C-15 have been described. For instance, Jekkel et al. [92] described that greater than 3000 fungi hydroxylate 13β-ethyl-4-gonene-3,17-dione (187) in C-15 position, the genus being Fusarium, notably F. Nivale; the fungus preferentially hydroxylated 187 with an α orientation in C-15 (15α-hydroxy-13β-ethyl-4-gonene-3,17-dione, 188, 77%) and C-7β (7β,15α-dihydroxy-13β-ethyl-4-gonene-3,17-diona, 189). On the other hand, the biotransformation of 187 using Mortierella pusilla produced 188, 190 (10β-hydroxy-13β-ethyl-4-gonene-3,17-dione) and 191 (6β-hydroxy-13β-ethyl-4-gonene-3,17-dione) (Figure 24). An environment friendly regio- and stereoselectivity was noticed within the biotransformation of 1 on a large scale by the system Mucor 881 (M881) to provide the hydroxylated derivatives 6, 6β,11α-dihydroxyprogesterone (20), and 6β-hydroxypregn-4-ene-3,eleven,20-trione (21). In the literature, it’s described that species of the genus Mucor and Rhizopus can hydroxylate stated positions however with decrease yields.
When Goku finally confronted Majin Buu in a one-on-one fight, he revealed that he had a secret card up his sleeve. When operating Buu down all the different types of Tremendous Saiyan and the power that they possess, Goku finally reaches Tremendous Saiyan 2 and divulges to the world that there lies one thing further beyond that energy. In a legendary transformation scene that shakes the foundations of the universe, Goku lastly reveals his Tremendous Saiyan 3 type. Tremendous Saiyan 2 Goku has somewhat bit of mystery surrounding him because it was never really proven when and the way he first got the form.
We also discover Anadrol impacts hepatic lipase, an enzyme that, when stimulated, can significantly cut back HDL levels of cholesterol. Anadrol (oxymetholone) is an identical compound to Dianabol, being an oral best cutting steroid stack – https://rms-fulda.de/pages/trenbolon_kaufen_1.html, that possesses vast muscle-building and strength-enhancing effects. Such a cycle produced important ranges of mass with out androgenic effects, enabling users to keep their hair intact and cut back the chance of male sample baldness (androgenetic alopecia). We have seen this stack add 30–40 kilos of weight achieve to customers, accompanied by 50–70 kilos of elevated strength on compound lifts. Some of the burden gained will be in the form of water; thus, bloating and water retention are probably, with Dianabol having the aromatase enzyme lively. CrazyBulk is our really helpful supply for legal steroid alternatives, based mostly on thousands of constructive evaluations on verified platforms similar to Trustpilot and Feefo.
Hydroxylation of steroids—progesterone, testosterone, 17α-methyltestosterone, and 4-androsten-3,17-dione—presenting the 4-en-3-one system, proceeds with a excessive stereo- and regioselectivity within the C-6 and C-11 positions, with a β orientation in C-6 and α orientation in C-11. The presence of the methyl group in C-10 is important for the hydroxylation in C-11, as could be seen in the derivatives of 19-nortesterone. Biotransformation merchandise of 13β-ethyl-4-gonene-3, 17-dione (187). Biotransformation products of 3-hydroxy-1,three,5-(10)-trien-17-one (166).
Some of the examples described under are accompanied by structural proof of this role. In examples that lack structural support, the consequences on protein-protein interplay may be indirect. (A) The phosphorylation of N-glycine myristoylated protein stimulates membrane dissociation by interrupting the electrostatic interaction between proteins and the phospholipid. (B) Ligand binding enhances the membrane affiliation of N-glycine myristoylated proteins. (C) Proteolysis triggers the discharge of N-glycine myristoylated protein from the membrane. Three members of the protein prenyltransferase household are current in eukaryotes.
Thus, an AI (anti-aromatase inhibitor) may be utilized to fight the conversion of testosterone to estrogen. However, we find that AIs can exacerbate blood pressure, so this is not something we recommend. Dianabol (methandrostenolone) is a steroid with vital mass-building results.
The microbiological transformation of the racemic combination of 13-ethyl-17β-hydroxy-18,19-dinor-17α-pregn-4-en-20-yn-3-one (56) was examined with different fungi Rhizopus nigricans, R. Arrhizus produced just one major product, (±)-13-ethyl-10β,17β-dihydroxy-18,19-dinor-17α-pregn-4-en-20-yn-3-one (57, 28.4%), whereas R. Lunata biotransformed 56 to 57 extra slowly and inefficiently [57]. Biotransformation products of pregnenolone (41) and acetyl derivate (52). In the literature, it’s the well-documented regio- and stereoselective hydroxylation in C-14 with α orientation in progesterone (1) and other steroids by well-functioning fungi, similar to Thamnostylum piriforme (ATCC 8992), Mucor griseocyanus (ATCC 1207a), Actinomucor elegans (MMP 3132), and Zygodesmus sp.
The first reported APT1/APT2 inhibitor was palmostatin B,502 and a stronger analogue, palmostatin M, has additionally been developed.506 However, later research confirmed that palmostatin B and M are not specific for APT1 and APT2. They also inhibit different serine hydrolases based on the outcomes of activity-based protein profiling.507 Thus, previous conclusions concerning the effects of palmostatins on APT1 and APT2 must be seen with warning. These studies have generally shown that the palmitoylation of huntingtin is protective and that the inhibition of PAT–huntingtin interplay is important for the progression of Huntington’s disease. Although the exact mechanism through which DHHC17 contributes to Huntington’s disease remains to be established, a current research confirmed that caspase-6, a cysteine protease involved in neurological disorders, is a substrate of DHHC17. Although its mechanism remains to be elucidated, the lethality additional emphasizes the importance of palmitoylation at varied levels of improvement.
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